Age Appropriate: Older Teen
Emotional Response: Sad
Notable Features: vampires, priests, nanomachines, supervampire
Language: English
Length: 24 episodes
Overall Recommendation: Wonderful
"Avert not thine eyes." -Narrator
Abel Nightroad: Traveling priest, Lt. Col., AX member, Crusnik (supervamp) and our protagonist.
The first interaction with Abel shows him to be food hungry (he really does love his food) and goofy. A bit of a moron, actually. It takes a little bit to understand that he's actually an intelligent, compassionate priest. Also, the series is pretty quick to show his superhuman/supervampire superpowers as a Crusnik. A Crusnik is a supernatural being one step up on the food chain from the vampires - as a Crusnik actually feeds on vampire blood rather than human blood. Vampires, or Methuselah, are a result of the post-apocolyptic reality in the series. All current technology is considered "lost." Abel is, surprisingly, amazing with lost technology. There is a scene here or there where he saves the day by excellent hacking skills.
Abel is the savior/martyr type. He is frequently put in situations where he has to save someone in distress - the most important character being Sister Esther. Sister Esther is a young nun from a Istvan (read: Istanbul) who is taken by Abel and a huge debacle orchestrated by the Marquis of the region, who was in turn manipulated by the Contra Mundi, or Order of Rosenkreuz (the villains). The Order wants a New World Order, run by them of course.
Then, there is the Vatican, lead by Alessandro - a childlike Pope, his sister Cardinal Caterina (AX leader) and his brother, Brother Francesco (Inquisitorial division leader). The Vatican is the opposing force for humans against vampires, although the general goal is to find a peaceful exitance. The Empire, for vampires, is run by the Empress, who is the end-all-be-all authority. There is a lot of politics in there.
THEN there is....I'm going to stop now. This just gets more complicated.
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Sad. That's really what this series is, a lot of episodes of sad. Still, it's sad in a more poignant way. Abel's dorky personality is often the only lightness in any episodes, often tempered by his own serious moments. It's not the kind of sad that makes you cry or anything, but maybe hurt a little. At least, depending on how easily you get sucked into character emotions.
The political intrigues aren't as interesting as the personal interactions. I think they were an attempt to shadow historical figures, but only in the sense where you have to care enough about those particular historical figures in order to care. I only know about them from watching that terrible The Borgias show. The individual satellite characters are pretty interesting, actually. My personal favorite is Fr. Hugue (shocking, I know). There is one scene in an episode where the priests have to band together for a few moments in order to stop a big bad from happening and their special abilities (because priests need special abilities :P) are displayed in an excellent group effort. These priests kinda kick ass.
Abel's special 80% Crusnik form is pretty epic. You don't really see it until later in the series, and then it shows up frequently. If I thought the 40% was cool, man, 80% is wicked - both in awesomeness and darkness. He's complicated and in a good way. It wouldn't be right if he was a one-dimensional character.
There is a twist here and there, and they aren't always completely obvious - which I appreciate. Abel is actually pretty when he's not a superfreak vampire or wearing his glasses (such a heartbreaker,too). He's a tragic hero and I was rooting for him the whole way. The blood isn't too bad, there is no sexuality really, but the storyline is a little advanced for someone under a certain age. So, yeah, go watch it. It's better than great, but it doesn't seem right to call it "YAY," so it gets a "Wonderful."
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Moving On: Fortune Arterial
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